Woman and her stylist-therapist |
I met with my stylist on Saturday morning after a week of unmet
writing goals, with a head full of half-made plans for the upcoming week, and jumpy focus that had me on my own nerves.
The thought of two hours in a chair discussing the sliver of things that my stylist and I have in common just seemed like work. Worse though, would have been to say, "You know, I just don't feel like talking today, okay?" The "what's wrong" question this would have generated was beyond me. So instead, I soldiered over to my chair and prepared to get my chat on.
The thought of two hours in a chair discussing the sliver of things that my stylist and I have in common just seemed like work. Worse though, would have been to say, "You know, I just don't feel like talking today, okay?" The "what's wrong" question this would have generated was beyond me. So instead, I soldiered over to my chair and prepared to get my chat on.
"So," said my stylist, lifting sections of hair, "What
are we doing today?"
"You know, I don't know. I don't even feel like making a
decision on my hair, so just do whatever you think will work. I trust you."
It was an atypical start to the session but she fell in and got
stylist-serious.
"Okay, first it should be shorter," she said.
"Okay, first it should be shorter," she said.
"Agree."
"And I'm thinking let's do the caramel highlights."
"Okay."
"You need some angling toward the front."
"Whatever you think."
She left to mix the color and I opened my book.
She came back and went to work. A few minutes later, I
watched what she was doing in the mirror.
She caught my eye and said, "So? Famous yet?"
"No. Not famous, and the writing thing is everywhere. I'm
all over the place. Doing everything, doing nothing. Submitting my book
that took me forever to write. In a week, I'll be opening 'thanks but no thanks
emails' and I'm trying to write short stories, and I'm trying to submit
essays and everything I do feels like it's keeping me from something else —"
"Tilt your chin."
"—and I'm wondering what I really want out of this, and so
I'm pulling back for a while. Taking stock. Less time on social media, less worry about stats and traffic and not meeting my fiction goals and not keeping up with my
blog. I'm just tired, tired, tired. Period."
"So you're overwhelmed."
"I'm overwhelmed."
There was a long pause. And then I said, "I have no right to be overwhelmed. I have the life I want, I have great kids, husband, friends. I can write whatever I want. I've been published where I didn't think I would be. But last week, I had an editor turn down my essay. She said, 'I'm afraid this doesn't quite work,' and I thought, 'she's right. It didn't work because it has no me in it. It was empty.' What the hell is my problem?"
"You sound like me when I decided to stop teaching."
I looked at her in the mirror. "Tell me."
"I was a teacher. I studied classical music, and got my teaching
degree. I worked with kids on the violin. Every day I woke up to a stomach
ache. Kids didn't want to play. Parents didn't make them practice. I forgot
what the point was."
"You taught the violin?"
"Yes, and I hated every minute of it."
"You taught the violin?"
"It sucked. And then, one day I drove by a hair salon and
remembered how I did my friends' hair when I was younger and how happy it made
me to create and make other people happy."
"And," I said.
"Well, I remembered what that felt like - to love
something - it made me realize that I didn't love what I was doing now at all. I thought, 'Well, I want to do hair,' but...okay, how do I say this, hair stylists back then were sort
of...there was a stereotype. Did I want to be seen as someone who was
doing hair because she couldn't make it in her profession? Did I want to go to my
parents and say, 'guess what, you know that college education you paid for?'
No, I did not. "
I imagined my twenty-something stylist driving past that salon, not wanting to want that.
"But," she said, tools poised, "I did want to be
happy, and I was not that either. And even with the tears and frustration and
stomach aches, I was still doing it. And then I said, 'enough.'"
For a long time, I wondered if I was holding onto my book to avoid starting another. The truth is, the harder you love something, the harder will come the rejection. If writing an impossible scene or sharp line of dialog made me feel alive, it was hard to think the failure to publish it wouldn't kill me.
Writing essays is easy love and publishing them is instantly gratifying. Not publishing them stings like it stings to sit in your car on a cold morning before the heat comes on. Eventually, you'll forget you were cold.
But easy love can be habit forming, while the hard love stands there and says "still here."
I want to do hair.
Writing essays is easy love and publishing them is instantly gratifying. Not publishing them stings like it stings to sit in your car on a cold morning before the heat comes on. Eventually, you'll forget you were cold.
But easy love can be habit forming, while the hard love stands there and says "still here."
I want to do hair.
I didn't say that to my stylist.
But I did say this:
"I'm not writing new fiction right now. I miss that."
"So, do that."
"I'm worried about how my book will do."
"So you're avoiding it."
"And I don't have time for non-fiction."
"So stop for awhile."
"And if my book fails, I'll write another one but what if
that one fails too?"
"Tilt your chin."
"Tilt your chin."
I left the salon with two things: First, a reminder that what we
love, but which may never love us back, doesn't go away. Whether we have time
or freedom for it or not, whether we crave or fear its joy, it comes back and says, "still here." And
yet, to feel an unending pull toward it is better than feeling no pull
toward easier things.
The other thing I left with was much shorter hair than I would
have asked for. But it was what my
stylist thought I needed. On Saturday, she also knew that I needed an example
of someone who figured out a hard love, faced her obstacles and said, "Screw it. I want to do hair."
I still can't believe she taught violin.